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Recruitment VideoProduction Tips

Recruitment Video Scripts: Where Narration Helps Employee Interviews

By Masahiro Kobayashi / Japanese narrator

Start with What Employees Already Communicate

Before adding narration to a recruitment video, identify what viewers can learn from employee interviews and the pictures alone. Voiceover can then supply missing context and connect scenes.

If an employee describes their working day clearly, repeating that description in voiceover takes time away from their own words. One option is to leave personal experience to the interview and use narration when the location, team or stage of work changes.

The script and direction examples below are fictional illustrations, not quotations from client projects or evidence of increased applications.

Separate Explanation, Personal Experience and Transitions

Mark the rough edit and script with three roles:

  • Explanation: background about the business, role or process that a new viewer needs.
  • Personal experience: what employees describe in their own words, including uncertainty and satisfaction.
  • Transitions: short orientation when the location, time or stage of work changes.

Suppose an employee says, “I was trusted with my first design, with a senior colleague helping me along the way.” Before adding “This is a place to grow,” consider leaving space for that statement. The next scene might instead begin, “After design comes a meeting with the manufacturing team.” This advances the film without repeating the experience.

Define the Viewer, Not Just Their Age Group

Tell the narrator how familiar viewers are with the work. A technical film for experienced applicants needs different explanation and pauses from an introduction for people new to the industry.

Instead of only asking for a bright, friendly read, describe the scene:

> Speak as if guiding a visitor beside you. Keep the process explanation clear, and leave a little space around employees’ comments.

This is one possible direction. Judge the voice with the actual footage, music and interviews rather than choosing by pitch or perceived age alone.

Prepare the Recording Brief

Confirm names and pronunciation, narration in/out timecodes, the person approving the script, publication channels and usage period. Include versions, delivery dates and any expected annual updates.

A rough edit and approximate duration are enough to start a discussion. Script changes and extra versions affect recording work, so share the scope available when requesting a quote.

Review the Whole Film

At review, check whether employee voices remain clear, viewers can follow the work, and the explanation fills real gaps. Assess what narration contributes to the whole film.

Application numbers also depend on job conditions, distribution and the application process. Do not attribute a change to the voice alone; review viewing data and questions reaching the recruiting team as well.

A worksheet for interview and narration roles

When a recruitment video uses employee interviews and narration, start by ensuring the two voices do not explain the same thing. Interviews convey a working person’s perspective and lived feeling; narration organizes company, job, and factual information. When the roles overlap, viewers do not know which voice to follow and the edit becomes unnecessarily long.

Define each role in one sentence

At the start of the proposal, write one sentence for each role: for example, “convey the workplace atmosphere through employees’ experiences” and “organize information so viewers understand the business and how to apply.” Once this is set, narration can fill only facts missing from the interview.

SceneMain voiceContentTransition cue
Opening workplace viewNarrationCompany and purpose of the videoLogo appears
Employee at workInterviewThe person’s judgment and experienceSpeaker’s picture
Business diagramNarrationNumbers, structure, and termsDiagram appears
Closing application guidanceNarration or employeeNext actionRecruitment page appears

This is not a fixed rule. An employee can also invite applications. The key is not to repeat the same information in both voices.

Build the script in two layers

Manage the interview transcript and narration copy separately rather than mixing them into one text. For interviews, record the speaker, source time, selected candidate, and edit notes. For narration, record the segment, spoken copy, proper names, and picture description. This makes it clear whether a replacement changes the employee’s words or the explanatory copy.

Interview: speaker / source time / selected statement / retain surrounding context?
Narration: picture time / spoken copy / delivery note / role
Transition: preceding voice / following voice / desired pause / BGM treatment

Packing too much information immediately before a voice change increases the listener’s load. Where picture, captions, and BGM change together, try shortening the narration or moving the transition later in the edit.

What to provide when ordering narration

Even when only the narration is outsourced, share the video purpose, intended applicants, temperature of the employee voices, and corporate expressions to avoid. Decide not only “credibility,” but whether the narrator should sit farther from the employee voice or approach the same point of view. If a rough cut exists, deliver the pictures before and after the interview so the transition can be judged.

See narration copy for recruitment videos while structuring the script. When consulting about narration for recruitment videos, include sections where employee statements must remain and information that needs supplementation.

For each segment, ask what can be conveyed only by this voice. Starting with experience for interviews and organization for narration, then adjusting for picture and sound, helps avoid competition between voices. We can consult from the point where the structure, script, and requested delivery date are known.

If interview material is unsettled, do not fill the gap with provisional narration without identifying what is unselected. Share that explanatory lines may be deleted after employee statements are finalized; this avoids unnecessary recording.

Check transition points in the rough cut as well as in the script. Where the speaker’s face, captions, and BGM change together, compare shortening the narration, adding a pause, or moving the transition later. Decide whether information or lived feeling has priority in that segment before requesting a revision.

Narration from ¥50,000. Usually delivered 24–48 hours after script approval; rush delivery is subject to availability.

* If you have a fixed budget, let me know and we can work from there.

Pricing & turnaround
Masahiro Kobayashi - professional Japanese narrator

Masahiro Kobayashi

Professional Narrator

A Japanese male narrator handling over 200 projects a year across corporate videos, commercials and documentaries. Recorded in a broadcast-quality home studio and delivered fast.

About these production articlesListen to voice samples

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Narration Enquiries & Quotes

Corporate VP, commercials, e-learning, product manuals — you do not need everything decided. Send the script length, intended media and target date, and I will come back with a proposal.

From
¥50,000〜
Turnaround
Usually 24–48h after script approval
Format
WAV / MP3

* If you have a fixed budget, let me know and we can work from there.

Or email directly: info@kobatee.jp