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5 Things to Prepare Before Hiring a Narrator

5 Things to Prepare Before Hiring a Narrator - article on Japanese narration

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Preparation Before Hiring a Narrator Has a Major Impact on Quality

Many problems in voice-over production do not come from recording itself, but from insufficient preparation before placing the order.
Issues such as “the tone was different from what we expected,” “there were too many pronunciation fixes,” or “the deadline became too tight” can often be avoided by organizing the right information in advance.

For production companies, directors, and in-house video teams, hiring a narrator is not just about ordering a voice.
It is the process of translating the intent of the video, the brand impression, the running time, and the release schedule into spoken performance. That is why preparation before the request directly affects the final result.

Below are five essentials you should always prepare before hiring a narrator.

1. Prepare a Nearly Final Script

The script is the highest priority.
Narrators build pacing, pauses, emphasis, and emotional tone based on the script. If the script is incomplete, the performance direction will also remain unclear.

Minimum information to include in the script

  • A final or near-final version
  • Pronunciation notes for difficult words
  • Official spelling of company names, product names, and proper nouns
  • How to read numbers, units, and English terms
  • Words or phrases that need emphasis
  • Target duration

Even with the same text, the reading changes depending on whether the priority is “trustworthiness” or “energy.”
The ideal pace also differs across corporate videos, recruitment films, commercials, and e-learning content.

If the script is not final yet

Script changes close to recording are common. If that is the case, share the following in advance:

  • Which parts may still change
  • When the script is expected to be finalized
  • What level of post-recording revisions is anticipated
  • Which replacements should be prioritized

The more accurate the script, the fewer retakes you will need—and the lower the overall cost.

2. Provide Clear Reference Audio or Direction

Vague instructions such as “make it brighter” or “keep it calm” often lead to mismatched expectations.
That is why it is extremely helpful to prepare reference audio or examples with a similar tone.

Useful reference materials to share

  • Past videos from your company
  • Commercials or web videos with a similar feel
  • Temporary guide narration
  • A spoken memo recorded by the director
  • Rough video edits or BGM references

Even if you do not have reference audio, comments like “the emotional temperature of the first 30 seconds of this video” or “the distance and intimacy of this brand film” are still valuable.

Key points to communicate

  • High energy or low energy
  • Slow and deliberate or fast-paced
  • Whether trust, friendliness, elegance, or strength is the priority
  • Who the target audience is
  • Whether the style should sound explanatory or conversational

The more specific the reference, the more accurate the first delivery will be.

3. Clarify the Schedule and Deadline Conditions

Sharing a deadline may sound obvious, but in practice, many projects move forward without clearly defining when the first take is needed, how many revision rounds are expected, or whether the deadline refers to a fully approved final file.

Dates to organize in advance

  • Order date
  • Script lock date
  • Recording date
  • Preferred first delivery date
  • Revision request deadline
  • Final delivery date
  • Release date or MA session date

One important point is that the narrator’s deadline is not the same as the project’s overall deadline.
You also need time for editing, audio finishing, MA, and client review. Last-minute requests reduce room for refinement and revisions.

For rush projects, make sure to clarify

  • Whether same-day or next-day delivery is required
  • Which sections or durations should be prioritized
  • Whether a temporary delivery is acceptable
  • By what time revised files would be needed if changes occur

A clear schedule helps the narrator judge what is realistically possible.

4. Explain the Usage and Media Conditions

The ideal performance changes depending on where and how the narration will be used.
A YouTube ad, trade show video, internal training content, TV commercial, and shareholder presentation all require different vocal approaches.

Why usage matters

  • The listening environment differs
  • The expected duration differs
  • Viewer attention levels differ
  • Brand tone restrictions differ
  • Licensing conditions may also be affected

For example, a trade show video needs clarity that cuts through background noise.
A recruitment video, on the other hand, often benefits more from warmth and sincerity.

Information to share when ordering

  • Purpose of the video
  • Distribution platform
  • Geographic region
  • Usage period
  • Whether there will be secondary use
  • Preferred audio file format

If these points remain unclear, both performance and contractual expectations may drift apart.

5. Decide the Review Flow and Final Decision-Maker

One often-overlooked issue is who has final approval.
When narration revisions drag on, it is often because the production staff, the director, and the client all have different opinions.

Things to decide in advance

  • Who the main contact person is
  • Who will consolidate feedback
  • Who has authority over performance decisions
  • How revision requests should be submitted
  • What communication method and response hours will be used

If revision requests come separately from multiple people, the narrator cannot tell which direction to prioritize.
That usually lowers both speed and quality.

Make revision requests specific

It is much smoother to give revision notes like these:

  • “Please make the opening of the second paragraph sound more trustworthy.”
  • “Please use the specified accent for Product Name A.”
  • “Could you increase the overall pace by about 5%?”
  • “Please soften the sentence endings a little.”

Instead of vague impressions, provide the location, intention, and desired direction together.

Conclusion: Good Narration Starts with Good Preparation

The five things you should prepare before hiring a narrator are:

  • A nearly final script
  • Clear reference audio or image direction
  • A defined schedule and deadline conditions
  • Usage purpose and media requirements
  • A review flow and identified decision-maker

Narration is not determined by vocal quality alone.
Only when the client organizes and communicates the necessary information can the narrator fully deliver their best work.

A little extra preparation before ordering directly leads to fewer revisions, smoother progress, and a stronger finished video.
Rather than simply asking someone to “read the script,” approach the process as commissioning a performance designed to achieve a specific effect. That mindset is the shortest path to better narration production.

Masahiro Kobayashi - professional Japanese narrator

Masahiro Kobayashi

Professional Narrator

A Japanese male narrator handling over 200 projects a year across corporate videos, commercials and documentaries. Recorded in a broadcast-quality home studio and delivered fast.

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